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Salma Hayek:The Kering Foundation has been supporting the empowerment of women and fighting violence against women in different parts of the world for ten years now. As a co-producer joked in the documentary, they were just “waiting for the frogs it hit.Numéro: What is your involvement in the Kering Foundation’s Women in Motion initiative? On the martini shot (the last shot of production) it began to rain, forcing the crew to wait as they needed sunlight to match their previous work. Mother Nature had one more trick up its sleeve for the production.

Just a little bit later a dust storm hit and production had to be called off for the day. The crew was prepared to work around the fire and continue shooting, but sometimes it just isn’t your day. Sometimes the magic works perfectly and sometimes it doesn’t work perfectly. We just didn’t think it’d be this much fire. We knew there was a chance of it catching fire, as a matter of fact we knew there would be fire.

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While filming one of the final scenes when the bar explodes, the explosion worked a little too well, as Tom Bellissimo, pyrotechnical/mechanical effects designer, told the Full Tilt Boogie filmmakers. But once they picked up stakes and headed on location, things got a bit more complicated.Ī desert outside Barstow, Calif., was where the facade of The Titty Twister bar was built.

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The first five weeks of shooting for From Dusk Till Dawn was the bar fight that takes up the second half of the movie and was done on a soundstage in Los Angeles. (Image credit: Miramax) Fire and Other Natural Disasters Hit The Set Tensions between the two sides continued throughout production, though ultimately no action was taken by IATSE and, as shown in the making-of documentary Full Tilt Boogie, Miramax eventually agreed to provide healthcare to crew members. IATSE attempted to bring the crew into the union, but were rebuked in their efforts by Tarantino and producer Lawrence Bender, saying it would add $300,000 to their budget, a number IATSE refuted. In a report from Variety, the International Alliance of Theatrical Stage Employees (IATSE) was not thrilled that an $18 million budgeted movie was shooting in Los Angeles with a non-union crew. From Dusk Till Dawn was another non-union production for Rodriguez, but that almost led to some problems. Most of Rodriguez’s early films were done with non-union crews, while Tarantino is not a member of the Writer’s Guild of America (he is a member of the Director’s Guild, however). Rodriguez and Tarantino have a long history with Hollywood unions. (Image credit: Miramax) From Dusk Till Dawn Went To Battle Against Hollywood Unions But according to Williamson, in an interview with the Phoenix News Times, after killing a whole bunch of vampires he believed he effectively satisfied his fans and then when he is ultimately killed after turning to a vampire, he said “I went down as an ugly thing and not as ‘The Hammer.’” However, spoiler alert if you haven’t seen From Dusk Till Dawn, Williamson’s character Frost ultimately satisfies none of those rules, considering he eventually becomes one of the undead. Williamson says that he has three rules when selecting a movie, needing at least two out of three to be in a movie: 1) he can’t be killed in the movie 2) he has to win all the fights and 3) he gets the girl at the end of the movie. (Image credit: Miramax) Fred Williamson Has Three Rules For Being In A Movie, But He Broke Them For From Dusk Till Dawnįred Williamson is a former NFL player who, during his playing career, was nicknamed “The Hammer.” He would then go on to become a major star and producer of blaxploitation movies.

Hayek said at the time that it was one of the most challenging things that she has done as an actress.

It was months of preparation for that one dance. I mean in my mind it had to have a meaning so that I could go into a trance. o have to put on a bikini and dance with a snake that’s 11 feet long and make it organic? I went to the extent that I created a relationship with this snake.

So Hayek came up with a strategy to overcome her fear for the scene. Hayek said she told Tarantino that she couldn’t dance with a snake because of that, who, according to Hayek, said that Madonna would be up for it if she wasn’t. When asked to be in the film by Tarantino, he revealed that the dance scene would include an 11-foot snake, which would be a bit of a problem for Hayek considering her fear of snakes. Apparently for Salma Hayek, preparing for her role as Santanico Pandemonium required a bit of hypnosis. (Image credit: Miramax) Salma Hayek’s Dance Was Done In A Trance Because Of Her Fear Of SnakesĪctors have different processes to get into their roles.