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She’s been gigging something fierce since plunging back into the scene last year, and you can catch her at the White Squirrel on Saturday. Malik Curtis covers a lot of ground in just 36 minutes, but my favorite track is this lulling, woozy expression of gratitude and boastfulness.Ĭindy Lawson, “Don’t Come Crying to Me” Tuff garage-rock that takes a mighty swing as Lawson softens her voice to a mocking pout. Paul rapper’s latest album, 8th Inning: Luv vs Passion, nicely timed with the start of the baseball season. There’s a bit of an Elliott Smith fuzz to the vocal, an acerbic bite to the lyrics (“It is a shame to see, but not as much as you”) and the title is (to me at least) inscrutable in the most intriguing way.ĭropped at the end of March, this St. These brisk rockers don’t lose a step as they go all acoustic. But this track pounds as mightily as its title suggests, and never ponderously so. This trio can get slow and airy and dreamy (and pleasurably so) on its new album, Till the Ground. Oh, if you’re a local yourself, please pass some of your songs along so I don’t have to make shit up. You can find some very simple ground rules at the bottom of this post. Then you'll listen to the songs and like them. Each week, I’ll post five new local tracks and five new national tracks, which I’ll add to separate playlists linked below. Here’s Yachty promising a “psychedelic alternative album” a year ago.I’m trying something new here-not particularly original, but new to Racket. The album doesn’t peak until the end the final track, the Daniel Caesar showcase “REACH THE SUNSHINE.,” is a full-on widescreen mind-wrecker. The record is definitely indulgent, but it never loses its way, and it demands to be heard as a cohesive whole. There have been rumblings that Yachty was working on a rock album, but the end product is a whole lot more fully realized than I’d imagined. On my first couple of listens, though, I’m into it. is a fascinating left turn from an already-famous artist, and time will tell if it turns out to be anything more than that. Vocalists like Foushée, Diana Gordon, Teezo Touchdown, and Justine Skye make appearances.

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Mac DeMarco and Alex G are among the credited co-writers. Yachty worked on the music with a team of co-producers that includes Sky Ferreira/Angel Olsen collaborator Justin Raisen, Raisen’s rap-producer brother Sad Pony, former Chairlift member Patrick Wimberly, Unknown Mortal Orchestra’s Jacob Portrait, Nick Hakim, Magdalena Bay, and Jam City. Lil Yachty co-produced every track on Let’s Start Here., and I’m guessing he created the album cover with the AI model DALL-E mini.

There’s a little bit of rapping on the album, but only a little. But parts of this album remind me more of Childish Gambino’s “Awaken, My Love!”, MGMT, and even Dungen. The obvious contemporary comparison point is Tame Impala, especially since Yachty remixed their “Breathe Deeper” last year. He says that the album is partly inspired by his love of Pink Floyd, and you can actually hear that influence in the music, a gurgling soup of expansive guitars and loping basslines and falsetto howls. the period is part of the title - in studios around the country. Yachty spent months recording his new LP Let’s Start Here. So now Yachty has naturally followed that song with a full-on bugged-out psychedelic rock album. A few months ago, Yachty had his biggest hit in years with “ Poland,” an 88-second rap goof that became a viral sensation.

#I like to freak teezo touchdown movie

Yachty, the Atlanta rap eccentric, has always pushed his voice in as many different directions as possible - a tendency that’s led him from projects that range from Michigan Boat Boy, a 2021 mixtape where he teamed up with rappers from the Detroit and Flint underground scenes, to the movie based on the card game UNO that he was supposedly developing. We knew Lil Yachty was a weird guy, but we didn’t know he was this weird.